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Artist: Yu Hayami / 早見優
Title: Love Light
Released: July 21, 1982
Oricon Peak Rank: 38
B-Side: ガラスの街角
(download)
There has always been an issue with how much English can be used in Japanese songs, whether the singer can pronounce them as is or render them into katakana for ease of pronunciation. At times it leads to some rather awkward sounding music, but this is generally not the case for Yu Hayami, who was one of the handful of exceptions during the Golden Age of Idols.
Having lived in Guam and Hawaii in her childhood and preteen years, her handling of English was on an advanced level and with only a slight accent. This skill gave her some advantages with songwriters as they could include more English (whether that is a good or bad thing) to her songs. Her second single "Love Light" was one of the more extreme examples, where the chorus was entirely in English. Its provenance was likely a European dance-pop song that has since disappeared from public memory, so the Japanese adaptation remains. Here her ability to sing fluently between Japanese and English is audible. Musically, it has a strong beat, and decent melody, although Yu has slight trouble with the vocal acrobatics in the lead to the chorus and the chorus itself. Otherwise, it is fine for a song, and would work well in a dance hall context.
(15th Shinjuku Music Festival [第15回新宿音楽祭])
Love Light
Music: Jimmy Jackson
Lyrics: Pia Jackson
Japanese Adaptation: Yoshiko Miura / 三浦徳子
雨降る街角 ひとつの傘
彼女とあなたを 見かけたのよ
小さな この胸は つぶれそうで
雨に濡れたまま さ迷い歩いたのよ
欲しいのは love light
あなたの愛の陽ざし
どうぞ気づいて pick me up
抱きしめて欲しいのよ
Let me, let me be the one you love
Let me be the one you need
I'm like a little flower
Let me, let me be the one you love
Let me share your joy and pain
I'm like a little flower, flower
傷つけたくない 誰のことも
だけど好きな気持ち 変えられない
どうぞ お願いよ she's not the girl for you
あなたから 私を愛してると言ってね
欲しいのは love light
あなたの愛の陽ざし
どうぞ気づいて pick me up
抱きしめて欲しいのよ
Let me, let me be the one you love
Let me be the one you need
I'm like a little flower
Let me, let me be the one you love
Let me share your joy and pain
I'm like a little flower
Let me, let me be the one you love
Let me be the one you need
I'm like a little flower
Let me, let me be the one you love
Let me share your joy and pain
I'm like a little flower . . .
Artist: Hiromi Iwasaki / 岩崎宏美
Title: Nijuushou (Duet) /
二重唱 (デュエット)
Released: April 25, 1975
Oricon Peak Rank: 19
B-Side: 月見草
(download)
While we're looking at debut singles, let's go to Hiromi Iwasaki's beginnings as a singer. She entered the Star Tanjou! talent competition in 1974 with her rendition of the hit ballad "Anata" (originally by Akiko Kosaka). Her performance there garnered interest from scouts from eight different record labels, but she eventually went with Victor Records and underwent preparations for her official entrance as a professional. "Duet" was your generic pop tune, a safe and catchy song to test the waters for the sixteen year-old. It wasn't entirely ordinary, however. The song displayed Hiromi's vocal range that would eventually be one of her leading qualities, and despite her youth, her voice already has the mature edge to its tone that would improve as she develops her style. The arrangement by Mitsuo Hagita was also well integrated and one of the best-sounding in its time. It's showing on Oricon hit the Top 20, which isn't bad for a first song. However, compared to her entire output, it is probably the song that is the least like her style (another distinction shared with "Slow Motion" by Akina Nakamori).
二重唱 (デュエット) (Niijuushou [Duet])
Music: Kyohei Tsutsumi / 筒美京平
Lyrics: Yuu Aku / 阿久悠
あなたがいて 私がいて
ほかに 何もない
ただ秘密の匂い たちこめるだけ
あなたが好き ほんとに好き
二人それだけを
ただ小鳥のように くり返すだけ
くちづけするのなら
素早く盗んで
返事などさせないで 泣いてしまう
誰かに少しねたまれそうな
あなたと 私の恋の時
あなたの手が 私の手を
強くにぎりしめ
もうはなさないよと ささやいている
あなたのため 心をみな
見せてあげたいと
今せつないほどに 私は思う
ふるえているけれど
おびえていないわ
しあわせがかけめぐり とまらないの
何かをいうと 涙になるの
あなたと 私の恋の時
あなたがいて 私がいて
ほかに 何もない
ただ秘密の匂い たちこめるだけ
あなたが好き ほんとに好き
二人それだけを
ただ小鳥のように くり返すだけ
Artist: Hiroshi Itsuki / 五木ひろし
Title: Yokohama Tasogare /
よこはま・たそがれ
Released: March 1, 1971
Oricon Peak Rank: 1 (1 week)
B-Side: 男が泣くとき
(download)
While this was the debut single for Hiroshi Itsuki, it certainly wasn't the first time the man entered the music world. He sang under his birthname Kazuo Matsuyama during the mid-1960s with middling results, which led him to change production companies twice (from Columbia to Polydor to Minoruphone), and don two stage names in the process (Yoshikazu Ichijo [一条英一] and Ken Mitani [三谷謙] respectively) in an effort to remake his image. He performed his final overhaul in 1970, settling on his current stage name, and things thereafter went far better than he would imagine.
The lyrics for "Yokohama Tasogare" (Yokohama Twilight) describe disjointed scenes of fleeting romance, giving the port town an aura of dark mystery. Hiroshi's strongly masculine vocal clarity lends to that imagery, where it may find itself comfortable in smoky bars and clubs. While it saw a spring release, the song took its time to gain traction in the charts, and finally experienced its brief reign at the top during summer of 1971. It also earned a nomination for "Best Song" in the 13th Japan Record Awards and granted him a spot in the Red-White Song Competition. Even though he would later, like Mori Masako in the previous entry, become a fixture in Enka, his early career was more hybrid in nature, singing Enka-quality songs with more pop styled arrangements. This gradual shift towards orthodox Enka is not unusual and rather common, and we'll see this effect as we both delve later in their careers and discuss other artists who've gone through that same path.
よこはま・たそがれ (Yokohama Tasogare)
Music: Maasaki Hirao / 平尾昌晃
Lyrics: Yoko Yamaguchi / 山口洋子
よこはま たそがれ
ホテルの小部屋
くちづけ 残り香 煙草の煙り
ブルース 口笛 女の涙
あの人は 行って行ってしまった
あの人は 行って行ってしまった
もう帰らない
裏町 スナック
酔えないお酒
ゆきずり 嘘つき 気まぐれ男
あてない 恋唄 流しのギター
あの人は 行って行ってしまった
あの人は 行って行ってしまった
もうよその人
木枯らし 想い出
グレーのコート
あきらめ 水色 つめたい夜明け
海鳴り 燈台 一羽のかもめ
あの人は 行って行ってしまった
あの人は 行って行ってしまった
もうおしまいね
Artist: Masako Mori / 森昌子
Title: Sensei / せんせい
Released: July 1, 1972
Oricon Peak Rank: 3
B-Side: 太陽の恋人
(download)
Momoe Yamaguchi was not alone when she made her debut into the music world. As mentioned earlier, she was one of three who graduated at the same time from the Star Tanjou! talent competition. Masako Mori was one of the other two and was the first to officially debut with her single "Sensei". During the competition, many in the industry found her voice the most appealing of the three and predicted great success in her future. Peaking at #3 on the Oricon charts and garnering recognition in the Japan Record Awards later that year, the song's strong start showed good signs for Masako. Her singing style is steady and clear, and high in register yet without shrillness. These qualities were well suited for her entrance as an Enka singer, which was rare to bestow on someone as young as she. "Sensei" has the qualities of melancholy and more traditional melodic structure found in Enka, yet its arrangement is rather light and friendly to popular music tastes. The broad appeal of the song combined with her personal appeal would see her become a big favorite in the Enka world, and, for the time being, find a place in the dynamic and competitive world of the teen idol.
せんせい (Sensei)
Music: Minoru Endo / 遠藤実
Lyrics: Yuu Aku / 阿久悠
淡い初恋 消えた日は
雨がしとしと 降っていた
傘にかくれて 桟橋で
ひとり見つめて 泣いていた
おさない私が 胸こがし
慕いつづけた ひとの名は
せんせい せんせい それはせんせい
声を限りに 叫んでも
遠くはなれる 連絡船
白い灯台 絵のように
雨にうたれて 浮んでた
誰にも言えない 悲しみに
胸をいためた ひとの名は
せんせい せんせい それはせんせい
恋する心の しあわせを
そっと教えた ひとの名は
せんせい せんせい それはせんせい
Artist: Yu Hayami / 早見優
