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Artist: Saori Minami / 南沙織
Title: Jyunana Sai / 17才
Released: June 1, 1971
Oricon Peak Rank: 2
B-Side: 島の伝説
(download)
Saori Minami was at the forefront of a shift in the early 1970s towards giving attention and exposure to artists at younger ages, usually around 14 to 16 years old. Prior to that, in the 1960s and before, it is expected for singers to start around that age, but only reach their stride by the time they were in their late teens or early twenties through a few years of climbing up the ranks. However, with the growing trends of youth culture getting a stronger influence in Japan, their new stars now had to hit the ground running, thus giving rise to the first generation of "idols".
Saori's debut single "Jyunana Sai" (Seventeen Years Old) is appropriately titled, as she was to turn 17 the month after the single's release date. On first listen, it is clear that composer Kyohei Tsutsumi was heavily influenced by "Rose Garden" by country singer Lynn Anderson from the year before. The story goes that with Tsutsumi in charge of writing the music to Saori's songs (as was also soon becoming a trend for songwriters and lyricists to be tasked to write songs almost exclusively for a suite of artists), he asked her what she liked to sing, and "Rose Garden" was her answer, thus he gave her his own way of writing a "Rose Garden"-esque song. Paired with Mieko Arima's coastal-themed lyrics, the song rose to 2nd on the Oricon charts winning a couple prizes from the Japan Record Awards and Kayo Grand Prix for that year. The song soon became one of her standards, as well as a standard in the Japanese songbook, inspiring many other songwriters in the coming years to use 17 as a special age in their songs, reinforcing the prevalence of teenagerhood that was sweeping the nation. Saori Minami's strong start in her singing career set a high bar for future singers who wish to make their mark in music.
(22nd NHK Red White Song Competition [第22回NHK紅白歌合戦])
17才 (Jyunana Sai)
Music: Kyohei Tsutsumi / 筒美京平
Lyrics: Mieko Arima / 有馬三恵子
誰もいない海
二人の愛を 確かめたくて
あなたの腕を すりぬけてみたの
走る水辺のまぶしさ
息も出来ないくらい
早く 強く つかまえに来て
好きなんだもの
私は今 生きている
青い空の下
二人の愛を抱きしめたくて
光の中へ 溶けこんでみたの
ふたり 鴎になるのよ
風は大きいけれど
動かないで おねがいだから
好きなんだもの
私は今 生きている
あつい生命にまかせて
そっとキスしていい
空も海も みつめる中で
好きなんだもの
私は今 生きている
私は今 生きている . . .
Artist: Momoe Yamaguchi / 山口百恵
Title: Hito Natsu no Keiken / ひと夏の経験
Released: June 1, 1974
Oricon Peak Rank: 3
B-Side: 太陽の友達
(download)The most famous and successful Japanese idol of the 1970s started out with humble origins. One of three girls who gotten top marks at the famous Star Tanjou! television talent show, she grew in the hearts of the Japanese with her sullen image yet mature and powerful singing. "Hito Natsu no Keiken" (A Summer Experience) was her first smash hit, even though it was her 5th single to be released. As was typical at the time, many lyricists would often push their lyrics, very sensual and sometimes lurid to the point of scandal, onto these singers, who are only in their mid teens. For example, the beginning lyrics of the song "あなたに女の子の一番 / 大切なものをあげるわ" translates roughly to "I'll give you the most precious thing a girl has" and the end of the chorus "誰でも一度だけ 経験するのよ / 誘惑の甘い罠" means "Everyone experiences it at least once, The sweet trap of temptation". Even though the lyrics for this song were suggestive, she chose this as the song to sing in the New Year's Eve gala Red-White Song Competition since it was one of the least suggestive songs in her repertoire! Regardless, this song, with its soaring melody and ardent momentum, won her prizes in the Japan Record Awards and Kayo Grand Prix, and firmly planted her in the world of Japanese music, her career just getting ready to run into full blossom.(25th NHK Red White Song Competition [第25回NHK紅白歌合戦])
ひと夏の経験 (Hito Natsu no Keiken)
Music: Shunichi Tokura / 都倉俊一
Lyrics: Kazuya Senke / 千家和也
あなたに女の子の一番
大切なものをあげるわ
小さな胸の奥にしまった
大切なものをあげるわ
愛する人に 捧げるため
守ってきたのよ
汚れてもいい 泣いてもいい
愛は尊いわ――
誰でも一度だけ 経験するのよ
誘惑の甘い罠
あなたに女の子の一番
大切なものをあげるわ
綺麗な泪色に輝く
大切なものをあげるわ
愛する人が喜ぶなら
それで倖せよ
こわれてもいい 捨ててもいい
愛は尊いわ――
誰でも一度だけ 経験するのよ
誘惑の甘い罠
Artist: Nana Okada / 岡田奈々
Title: Jogakusei / 女学生
Released: August 25, 1975
Oricon Peak Rank:
B-Side: 放課後(download)Nana Okada was one of the minor idol singers of the 1970s, a product of the TV talent show circuit, she gained recognition as an actress, photo model, and a singer, all simultaneously (nowadays wrapped together in the term "tarento"). Her 2nd single (and we seem to be talking quite a bit about those aren't we?) "Jogakusei" (Schoolgirl) typifies the cute girl image her production company cultivated around her. Frankly I don't know much about the content of the lyrics to justify it, but just listening to the song along, the swinging momentum, the matter-of-fact singing, and the general "innocentness" of the music in the song brings out in the mind a girl in a sailor suit singing about some sort of secret love. Nevertheless, the unadorned and honest sound to the song speaks out to those who finds contentment in simple things.女学生 (Jogakusei)
Music: Shunichi Tokura / 都倉俊一
Lyrics: Takashi Matsumoto / 松本隆
あなたの写真をそっと
定期入れにかくしたら
放課後友達にふと見られました
恋人でしょうと聞かれ
夢中で奪りあううちに
破けてしまいます あなたの笑顔
いつでも逢えないと
淋しさばかり
写真にくちびる そっと寄せます
誰にも秘密
言えない秘密
心にめざめます
夕暮れ通りでバスを
待ってる横顔みつけ
人影かくれて遠く見つめました
制服姿の私
あなたに見られたくない
そんなはじらいさえ 知らされました
あなたに逢うたびに
変わるの私
恋する想いがあふれそうです
誰にも秘密
言えない秘密
心にめざめます
Artist: The Checkers / チェッカーズ
Title: Namida no Request /
涙のリクエスト
Released: January 21, 1984
Oricon Peak Rank: 2
B-Side: あの娘とマッシュポテト
(download)Much like in the rest of the world during the early and mid 1980s, there was a wave of nostalgia for the 1950s. This was just as so in Japan at the time, although unlike the more genuine "5-10 years lag" that created actual songs of that vein, it became a form of pastiche in the 1980s. In comes the The Checkers. After Rats & Star (formerly Chanels), The Checkers were the most visible of retro groups in 1980s Japan, and was wildly popular with the young girls at the time. As can be seen in the EP cover here, they commonly sported checkered blazers to help reinforce their image associated with the name. Their breakthrough came with their 2nd single "Namida no Request" (Tears of Request) which exemplified the the 50s pastiche a great deal, replete with simple chord structure, wailing saxophones, and rebellious-then-but-tame-today tones, an earnest love song in the backdrop of a sock hop. By the end of 1984, this single became the 4th most popular song, giving them the base to further stardom (much like how Akina Nakamori had with her 2nd single in the post previous).(The Top Ten [ザ・トップテン])
涙のリクエスト (Namida no Request)
Music: Hiroaki Serizawa / 芹澤廣明
Lyrics: Misao Urino / 売野雅勇
涙のリクエスト 最後のリクエスト
最後のコインに 祈りをこめて Midnight D.J
ダイヤル回す あの娘に伝えて まだ好きだよと
トランジスタのヴォリューム上げて 初めて二人
躍った曲さサヨナラなんて
冷めたすぎるね ヒドイ仕打ちさ
オレの送った 銀のロケット
今では違う 誰かの写真
イイサそいつと 抱き合いながら
悲しい恋を 笑ってくれよ
涙のリクエスト 最後のリクエスト
涙のリクエスト 最後のリクエスト for you
波間に消える まぶしい夏さ 引き際せめて
カッコつけるぜ あのメロディ 口笛にして
もしも あいつに ふられた時は 同じ歌を
ダイヤルしろよ 夜中の街を
おまえをむかえに 駆けて行くから
愛を誓った メモリーリング
曲に合わせて 海に投げるよ
サヨナラがわり 二人に送る
悲しい恋のリクエストだよ
涙のリクエスト 最後のリクエスト
涙のリクエスト 最後のリクエスト for you
Artist: Akina Nakamori / 中森明菜
Title: Shoujo A / 少女A
Released: July 28, 1982
Oricon Peak Rank: 5
B-Side: 夢判断
(download)The other prominent figure in Japanese music during the 1980s aside from Seiko Matsuda was Akina Nakamori. In the popular imagination, the two of them were often pitted against one another in a light/dark dichotomy, with Seiko being the innocent "girl-next door" idol, while Akina was the mature and expressive adult singer. Even if neither of them took those labels seriously, the songs they've sung tend to reflect that attitude. This was the case with Akina's second single "Shoujo A", the one that started her path to stardom.
Her first single "Slow Motion" was cut from the usual idol mould, a typical love song done in an agreeable and pleasing pop style. What inspired the shift in mood for her second single is unknown to me, but somehow her producers thought a new style would be a better fit. The songwriting team of Hiroaki Serizawa and Misao Urino, mostly known for their rock-inspired pop songs, had originally planned a song for flashy rock-pop singer Kenji Sawada titled "Lolita", but when he didn't pick that up, they switched the lyrics gender roles and retitled it "Shoujo A" and offered it to Akina. The song's rousing tempo and rock affectations were a stark contrast to her previous single. Most notably different between the two songs was her use of her deeper singing voice (what she would later be identified with the most), granting the song a mature overtone that would've been lost had used a more girl-like voice. The lyrics, detailing the hungry lust of a seventeen year old teen for a biker, were risque at their time, enough to nearly have the song banned from the Japanese airwaves. Nevertheless, the song was a major success, and set Akina towards her own path to music stardom.(Hit Studio Night [夜のヒットスタジオ])
少女A (Shoujo A)
Music: Hiroaki Serizawa / 芹澤廣明
Lyrics: Misao Urino / 売野雅勇
上目使いに 盗んで見ている
蒼いあなたの 視線がまぶしいわ
思わせぶりに 口びるぬらし
きっかけぐらいは こっちでつくってあげる
いわゆる普通の １７才だわ
女の子のこと 知らなすぎるのあなた
早熟なのは しかたがないけど
似たようなこと 誰でもしているのよ
じれったい じれったい
何歳(いくつ)に見えても 私 誰でも
じれったい じれったい
私は 私よ 関係ないわ
特別じゃない どこにもいるわ
ワ・タ・シ 少女A
頬づえついて
あなたを想えば
胸の高鳴り 耳があゝ熱いわ
鏡に向って 微笑みつくる
黄昏れ時は 少女を大人に変える
素肌と心は ひとつじゃないのね
ルージュの口びる かすかに震えてるわ
他人が言うほど ドライじゃないの
本当は憶病 分かってほしいのあなた
じれったい じれったい
結婚するとか しないとかなら
じれったい じれったい
そんなのどうでも 関係ないわ
特別じゃない どこにもいるわ
ワ・タ・シ 少女A
じれったい じれったい
何歳(いくつ)に見えても 私 誰でも
じれったい じれったい
私は 私よ 関係ないわ
特別じゃない どこにもいるわ
ワ・タ・シ 少女A
Artist: Seiko Matsuda / 松田聖子
Title: Hadashi no Kisetsu / 裸足の季節
Released: April 1, 1980
Oricon Peak Rank: 12
B-Side: RAINBOW～六月生まれ
(download)The origin of Seiko Mastuda's debut single was one of serendipity. During a cover shoot and filming of a commercial for the Shiseido cosmetic line, Seiko was supposed to be one of the models, but was later rejected due to her dimples. However, they instead had her sing the theme song for the commercial (good talent doesn't go to waste). Despite her nerveousness during the recording, the song proved to be a good debut hit. Even though it never cracked the top 10 in the Oricon charts, she received much positive publicity in the weeks and months ahead. This song was the beginning for her long and highly successful career as an idol and paved new paths for a new generation of singers that would later shape and define the music scene of 1980s Japan.(Hit Studio Night [夜のヒットスタジオ])裸足の季節 (Hadashi no Kisetsu)
Music: Yuichiro Oda / 小田裕一郎
Lyrics: Yoshiko Miura / 三浦徳子
白いヨットの影 渚をすべり
入江に近づくの 手を振るあなた
夢の中のこととわかっていても
思い切りこたえる私です
エクボの秘密あげたいわ
もぎたての青い風
頬をそめて今走り出す私
二人ひとつのシルエット
誘われた映画はまぶしすぎたの
背のびする季節と言われたけれど
ハラハラし通しのエピローグには
思わずうつむいた私です
エクボの秘密あげたいわ
もぎたての青い空
愛をめがけ今走り出す私
二人ひとつのシルエット
エクボの秘密あげたいわ
もぎたての青い風
頬をそめて今走り出す私
二人ひとつのシルエット
Artist: Chiharu Matsuyama / 松山千春
Title: Kisetsu no Naka de / 季節の中で
Released: August 21, 1978
Oricon Peak Rank: 1 (6 weeks)
B-Side: 青春II
(download)
Chiharu Matsuyama is one of the major singer-songwriters in Japanese popular music. His style is in line with the New Music movement that arose in the 1970s, although he has written and sung in various other styles as well. His most famous song "Kisetsu no Naka de" (In the Middle of the Seasons) was a distinct departure from his usual style, incorporating the then-current and popular disco sounds in its chorus. Whether or not this nod to common tastes led to its immense popularity in both 1978 (26th overall) and 1979 (24th overall). By then the song heralded Matsuyama's peak period where he wrote many more hits before trends went against him in the mid-1980s. Regardless, this song remains a timeless classic, now amongst the annals of popular Japanese song.
('79 Super Jam ['79 スーパージャム])
季節の中で (Kisetsu no Naka de)
Music/Lyrics: Chiharu Matsuyama / 松山千春
うつむきかけた貴方の前を
静かに時は流れ
めぐるめぐる季節の中で
貴方は何を見つけるだろう
海の青さにとまどう様に
とびかう鳥の様に
はばたけ高くはばたけ強く
小さなつばさひろげ
めぐるめぐる季節の中で
貴方は何を見つけるだろう
昇る朝日のまぶしさの中
はるかな空をめざし
はばたけ高くはばたけ強く
貴方の旅がはじまる
めぐるめぐる季節の中で
貴方は何を見つけるだろう
Artist: Takashi Hosokawa / 細川たかし
Title: Kokoro Nokori / 心のこり
Released: April 1, 1975
Oricon Peak Rank: 1 (4 weeks)
B-Side: 泣きぐせ
Takashi Hosokawa is one most successful Enka singers in Japan, despite coming into the genre at a time when new talent in Enka was on the start of a downturn. His wildly popular debut single "Kokoro Nokori" (Heart Pieces) stayed at the top of the Oricon charts for 4 weeks and ranks 8th overall for 1975. It is a strident song about abandoned love and regret, carried along in its doo-wop styled music. By the year's end, he has won many awards with his song including "Most Excellent Newcomer" in the 17th Japan Record Awards (日本レコード大賞) and the 3rd FNS Song Festival (FNS歌謡祭), "Broadcast Music New Member Prize" in the 6th Japan Song Grand Prix (日本歌謡大賞), and a "New Member Prize" in the Japanese Television Music Festival (日本テレビ音楽祭). Both Hosokawa and his debut song have become established standards in the Japanese music world.
心のこり (Kokoro Nokori)
Music: Yasushi Nakamura / 中村泰士
Lyrics: Rei Nakanishi / なかにし礼
私バカよね おバカさんよね
うしろ指 うしろ指 さされても
あなた一人に 命をかけて
耐えてきたのよ 今日まで
秋風が吹く 港の町を
船が出てゆくように
私も旅に出るわ 明日の朝早く
私バカよね おバカさんよね
大切な 大切な 純情を
わるい人だと 知っていながら
上げてしまった あなたに
秋風の中 枯葉がひとつ
枝をはなれるように
私も旅に出るわ あてもないままに
私バカよね おバカさんよね
あきらめが あきらめが 悪いのね
一度はなれた 心は二度と
もどらないのよ もとには
秋風が吹く つめたい空に
鳥が飛び立つように
私も旅に出るわ 一人泣きながら
Artist: Linda Yamamoto / 山本リンダ
Title: Dounimo Tomaranai /
どうにもとまらない
Released: June 5, 1972
Oricon Peak Rank: 3
B-Side: 青い月夜は
(download)
Linda Yamamoto started her career as a teen model, often referred to in fashion circles as the "Japanese Twiggy" for her thin build. She turned to singing and scored her first hit with "Komacchau na" in 1966. However, her fame as a singer was rather middling soon after that and she continued her modeling career. She didn't see another musical success until 1972 when she released her smash hit "Dounimo Tomaranai", which ranked 32nd overall in the 1972 Oricon charts. This exotica-infused number by Shunichi Tokura and Yuu Aku with its incessant conga drumming reshaped Linda Yamamoto from a teen sensation to an star idol. And it didn't hurt that she combined it with her stage dress, slashed low-rise flares and a blazing red shirt tied up to reveal her midriff (or as the Japanese termed it then the "heso-dashi"), giving her performances a provocative sexual appeal in an otherwise conservative society. Regardless, the song proved popular enough to grant her a spot in the 23rd Red-White Song Competition in New Year's Eve of the same year.
どうにもとまらない (Dounimo Tomaranai)
Music: Shunichi Tokura / 都倉俊一
Lyrics: Yuu Aku / 阿久悠
うわさを信じちゃいけないよ
私の心はうぶなのさ
いつでも楽しい夢を見て
生きているのが好きなのさ
今夜は真赤なバラを抱き
器量のいい子と踊ろうか
それともやさしいあのひとに
熱い心をあげようか
あゝ蝶になる あゝ花になる
恋した夜はあなたしだいなの
あゝ今夜だけ あゝ今夜だけ
もう どうにも とまらない
港で誰かに声かけて
広場で誰かと一踊り
木かげで誰かとキスをして
それも今夜はいいじゃない
はじけた花火にあおられて
恋する気分がもえて来る
真夏の一日カーニバル
しゃれて過ごしていいじゃない
あゝ蝶になる あゝ花になる
恋した夜はあなたしだいなの
あゝ今夜だけ あゝ今夜だけ
もう どうにも とまらない
Artist: Hiromi Iwasaki / 岩崎宏美
Title: Mirai / 未来
Released: May 1, 1976
Oricon Peak Rank: 2
B-Side: 夏からのメッセージ
(download)We start with one of my favorite artists, Hiromi Iwasaki. Presented here is her fifth single "Mirai" (The Future) which is one of her more energetic songs, influenced strongly by the burgeoning disco music that would define much of popular music throughout the world in the 1970s. There really isn't much to explain about this song, other than its uplifting melody, tight arrangement, and it's rather inviting beat. While it was highly successful, chart-wise, it was not one of her most defining songs in her repertoire. We will find out which ones are when we come back to her later.
(Hit Studio Night [夜のヒットスタジオ])未来 (Mirai)
Music: Kyohei Tsutsumi / 筒美京平
Lyrics: Yuu Aku /
阿久悠あゝ 私の未来はあなたと同じ
あゝ あなたの未来は私と同じ
あなたの甘いくちづけが
私の未来を決めるのよ
愛されてしまったの
小さいけれどしあわせを
あげるとあなたは抱きしめる
うなづいてしまったの
まぶしさにおぼれて
悲しみも見えない
二人だけ 白い部屋
あゝ 私の未来はあなたと同じ
あゝ あなたの未来は私と同じ
小指が話す約束が
私を夢中にさせるのよ
酔わされてしまったの
何もかも あずけて
その腕にぶらさがり
二人だけ青い径
あゝ 私の未来はあなたと同じ
あゝ あなたの未来は 私と同じ . . .
Artist: Saori Minami / 南沙織
